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・ The Enduring Flame Trilogy
・ The Endwood
・ The Enemies Dance
・ The Enemies EP
・ The Enemies of Books
・ The Enemies of Energy
・ The Enemies of Jupiter
・ The Enemies of Reason
・ The Enemy (1927 film)
・ The Enemy (1979 film)
・ The Enemy (Bagley novel)
・ The Enemy (Child novel)
・ The Enemy (Godsmack song)
・ The Enemy (Higson novel)
・ The End of America (film)
The End of an Ear
・ The End of an Error
・ The End of Business as Usual
・ The End of Celluloid
・ The End of Days
・ The End of Eden
・ The End of Education
・ The End of Energy Obesity
・ The End of Eternity
・ The End of Evangelion
・ The End of Everything
・ The End of Faith
・ The End of Fear
・ The End of Heartache
・ The End of Heartache (song)


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The End of an Ear : ウィキペディア英語版
The End of an Ear


''The End of an Ear'' is the debut solo album by Soft Machine's Robert Wyatt.
==Background==
It was recorded in August 1970, while on a leave of absence from Soft Machine (which he would eventually exit the following year). Containing mostly free jazz and experimental music, with no lyrics (only vocal experimentation by Wyatt), it is an unusual album. It includes Soft Machine's Elton Dean on saxophone and Caravan's David Sinclair on organ, who in 1971 would join Wyatt in the group Matching Mole. About half of the album is filled by a two-part cover of Gil Evans' "Las Vegas Tango". "To Carla, Marsha and Caroline (For Making Everything Beautifuller)" is based on the music of "Instant Pussy", a song Wyatt first recorded solo during a Soft Machine BBC session in late 1969, and eventually appeared, also in instrumental form, on the first Matching Mole album.

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